In addition to a tight, killer script, every TV project needs a strong series bible or deck to help convey sustainability and its role in the marketplace. And execs commonly ask for pitch decks for features as well! So submit your Series Bible, Pitch Deck (20 pages max each), or both, and the exec will conduct a 30-minute notes call (1-hour if submitting both documents) to help you clarify and sharpen the supplemental material to help your marketing efforts.
Questions? Email terra@roadmapwriters.com
Make me laugh, make me love, make me need to know more.
Comedy, romantic comedy, queer joy, a queer rom com, real women, kick ass women, an empowering message, elevated feminism, magical worlds (which can be on this Earth), near-fi, a new take on procedural crime drama. Ultimately I always want someone or something to believe in. I want a little bit of hope and heart.
Drugs or gangsters, rape revenge, queer trauma, conscripting other people’s stories.
Emily is a Producer, Line Producer and Field Producer across film, TV, documentary and commercials. She is currently the Supervising Consultant Producer - Post Production, on HEARTSTOPPER Season 2. Together with Lizzie Brown they run Vision Award-winning company Bird Flight Films. Recent Credits include: THE NIGHTJAR (Consulting Producer leading a 20 week writers room for Netflix/Chernin), LAYLA for Film4/BFI (Line Producer), BAFTA nominated DEATH OF ENGLAND: FACE TO FACE for Sky Arts/National Theatre (Line Producer), CARMILLA starring Tobias Menzies, Jessica Raine & Greg Wise (Producer), the six-time Emmy nominated Bee Gee's doc, HOW DO YOU MEND A BROKEN HEART (Field Producer) and Elton John's LOOK YOURSELF eyewear campaign for Walmart/Sam's Club (Producer). Prior to Bird Flight, Emily worked for Fred Films as Production Executive and Associate Producer. Credits included: THE COLONY, BREATHE, CROOKED HOUSE, FINDING YOUR FEET, PATRICK, FISHERMAN’S FRIENDS, COME AWAY, BLITHE SPIRIT and 3 seasons of DARK MATTER for SyFy and Netflix.
Previous on set production credits include Ron Howard’s PAVAROTTI and BEATLES documentaries, ROCKS, ANTHROPOID and THE MAN WHO KNEW INFINITY. Whilst at Ealing Studios, Emily’s credits include: KIDS IN LOVE, NINA and Jack Black’s THE D-TRAIN.
Emily is proud to be a mentor for the BUMBLE FEMALE FILM FORCE and CREATIVE MENTOR NETWORK: OPEN HOUSE. As well as being a voting member for BIFA, she was on last years ‘New Talent’ jury responsible for selecting Debut Director, Debut Screenwriter, Most Promising Newcomer and Breakthrough Producer.
Emily pushed me (and the others in my group) hard, I told her she broke my brain. Where others have said this script is great, Emily said take it back to outline because you've got a great idea so let's make it a great script. That wasn't easy to hear, but she was absolutely right. I will have a better script because of her feedback. She gave me so much good stuff to think about. I've never been so excited to do a page 1 rewrite.
~ Kris Holodak, Screenwriter
After registering, you will receive instructions on how to submit your material in your order confirmation email. After submitting your material, please allow 3-4 weeks to receive proposed times for scheduling your consult with the exec.
PITCH DECKS: These are visually-driven documents (20 pages max) that use images and short paragraphs of text to demonstrate the tone, world, character insight, key plot points, stakes, and theme of the series or feature. If the Pitch Deck is for a show, it will use some of the same sections of text as your Series Bible, but will be less extensive. When creating a pitch deck, always make sure that you are using images of a consistent size and quality, and that you use the same font, color code, margins, and other design specifications throughout. Click here for a Pitch Deck example! Want more insight? Consider signing up for our Creating Professional Level Pitch Decks webinar!
SERIES BIBLES: These supplemental documents are text-only (20 pages max), and can get requested when marketing any sort of TV show. Among other things, they should demonstrate what makes your characters unique and captivating, the focus and evolution of their arcs, the rules of the world, the hook of the story engine, the intended tone and theme, as well as why YOU are the best person to write this show from this perspective. Here's example #1 and example #2. Note: The formatting and organization of Series Bibles has changed since these examples were created, but addressing these sections in your own Series Bible will be a great starting point to make sure you're answering questions before they're asked.
**Please note series bibles and pitch decks are each limited to 20 pages maximum. Please contact terra@roadmapwriters.com for pricing on a consultation for material exceeding 20 pages.
Be sure to familiarize yourself with Roadmap's Code of Conduct.
Questions? Email terra@roadmapwriters.com
Cancellation Policy: You may cancel your registration for a refund or Roadmap gift card if you have not yet submitted your material for review. However, once your material has been received by Roadmap, your registration cannot be canceled. Having revised material or a desire to retroactively apply a discount or gift card code are not grounds for cancellation, refunds, or gift card credit. Once your material has been submitted, the only acceptable grounds for cancellation and a refund or gift card credit is an unforeseen, ongoing emergency on the part of either the writer or the exec resulting in more than 6 weeks without any scheduling update from the exec via direct contact or Roadmap, or a sudden change in the exec's ongoing availability. In the instance of an irreconcilable scheduling issue, the writer may still receive a written feedback report from the exec. In this case, the writer is not entitled to a refund or gift card credit as the exec has read the submitted material and provided written feedback in lieu of the call.