How you approach the prep work of outlining your script—whether for your first draft or your 10th—can make all the difference when you sit down to face the blinking cursor. No matter how detailed or macro, all outlines must contain the standard structural integrity and character arcs for your particular format and genre. Submit your outline (10 page max) and the executive will conduct a 30-minute notes call to give you and your story ground-level guidance. You'll discuss how to refine set up of the structure, pacing, theme, and character development for your script.
Questions? Email terra@roadmapwriters.com
- Start with concept/hook.
- Character driving plot, not the other way around. I'm BIG on structure, especially for TV pilots - if you break the rules, it better be worth it :)
- FYI - I tend to identify more with POV character-driven stories over ensembles, both in TV and film.
One-hour, female-driven, sci-fi/psychological thriller for cable and streaming is my particular interest. I am also interested in neurodiverse points of view, streaming-driven dramedies (a la TINY BEAUTIFUL THINGS) and big world-building sci-fi / futurist / dystopian feature, adventure movies, and family-friendly movies (think Pixar).
I just don't like true crime (i.e. serial killer stories), torture-horror or stories involving extreme violence against women by men. I am only interested in historical stories or period pieces if they are from a female perspective.
Hannah Rosner wrote and produced for the CW series LEGACIES, serving as Executive Story Editor during the show’s fourth and final season. Originally from Chicago, Hannah spent her film school years making movies by day and playing bass in a punk band by night. She began her career in LA working for Zak Penn where she worked her way up to become his development executive, shepherding such projects as READY PLAYER ONE. A strong draft writer armed with years of set experience, she majors in writing elevated, character-driven sci-fi thrillers, with a minor in female-forward, coming of age dramedies for film and TV. She is a Warner Brothers Writers Workshop fellow and the winner of the 2021 TrackingB pilot contest. Her feature comedy THE FESTIVAL is being produced by Black Label Media (La La Land) and her sci-fi horror feature TERRORS has Sean King O'Grady (We Need to Do Something / Hulu) attached to direct. Hannah is currently developing a scripted audio drama for Bad Robot. She is the co-host of the Untitled Female Driven Podcast.
After registering, you will receive instructions on how to submit your material in your order confirmation email. After submitting your material, please allow 3-4 weeks to receive proposed times for scheduling your call with the exec.
**Please note script outlines are limited to 10 pages maximum. Please contact terra@roadmapwriters.com for pricing on a consultation for a script outline exceeding 10 pages.
Be sure to familiarize yourself with Roadmap's Code of Conduct.
Questions? Email terra@roadmapwriters.com
Cancellation Policy: You may cancel your registration for a refund or Roadmap gift card if you have not yet submitted your material for review. However, once your material has been received by Roadmap, your registration cannot be canceled. Having revised material or a desire to retroactively apply a discount or gift card code are not grounds for cancellation, refunds, or gift card credit. Once your material has been submitted, the only acceptable grounds for cancellation and a refund or gift card credit is an unforeseen, ongoing emergency on the part of either the writer or the exec resulting in more than 6 weeks without any scheduling update from the exec via direct contact or Roadmap, or a sudden change in the exec's ongoing availability. In the instance of an irreconcilable scheduling issue, the writer may still receive a written feedback report from the exec. In this case, the writer is not entitled to a refund or gift card credit as the exec has read the submitted material and provided written feedback in lieu of the call.