My taste covers all genres and I'm always looking for great characters that really stick with you. From traditional procedural shows to stylised mini-series, to IP, I like to cast a wide net when it comes to material.
Catherine Palmieri has over ten years experience working at the top level of the TV and film industry in both Los Angeles and the UK. Prior to locating to London, Catherine was Manager of TV for John Wells Productions (ER, THE WEST WING, SHAMELESS, ANIMAL KINGDOM, MAID) where she worked on Emmy award winning shows. In her role at JWP, Catherine worked with both established and fresh writing talent to hone their scripts, ready them for market, and pitch to networks. Catherine has worked with all major networks and streamers, including HBO, Showtime, Netflix, & Apple, as well as major movie studios including Warner Bros. & Disney.
With a passion for literature and film, Catherine graduated from University of Southern California with a degree in Communication and Critical Film Studies, before beginning her career at one of the world's leading talent agencies, William Morris Endeavor.
From horror films to drama mini series, Catherine’s taste and experience covers all genres and formats. She is particularly drawn to writers with a strong identity and unique voice and is dedicated to helping writers bring the best out of themselves in a supportive and collaborative environment.
After registering, you will receive instructions on how to submit your material in your order confirmation email. After submitting your material, please allow 3-4 weeks to receive proposed times for scheduling your consult with the exec.
PITCH DECKS: These are visually-driven documents (20 pages max) that use images and short paragraphs of text to demonstrate the tone, world, character insight, key plot points, stakes, and theme of the series or feature. If the Pitch Deck is for a show, it will use some of the same sections of text as your Series Bible, but will be less extensive. When creating a pitch deck, always make sure that you are using images of a consistent size and quality, and that you use the same font, color code, margins, and other design specifications throughout. Click here for a Pitch Deck example! Want more insight? Consider signing up for our Creating Professional Level Pitch Decks webinar!
SERIES BIBLES: These supplemental documents are text-only (20 pages max), and can get requested when marketing any sort of TV show. Among other things, they should demonstrate what makes your characters unique and captivating, the focus and evolution of their arcs, the rules of the world, the hook of the story engine, the intended tone and theme, as well as why YOU are the best person to write this show from this perspective. Here's example #1 and example #2. Note: The formatting and organization of Series Bibles has changed since these examples were created, but addressing these sections in your own Series Bible will be a great starting point to make sure you're answering questions before they're asked.
**Please note series bibles and pitch decks are each limited to 20 pages maximum. Please contact terra@roadmapwriters.com for pricing on a consultation for material exceeding 20 pages.
Be sure to familiarize yourself with Roadmap's Code of Conduct.
Questions? Email terra@roadmapwriters.com
Cancellation Policy: You may cancel your registration for a refund or Roadmap gift card if you have not yet submitted your material for review. However, once your material has been received by Roadmap, your registration cannot be canceled. Having revised material or a desire to retroactively apply a discount or gift card code are not grounds for cancellation, refunds, or gift card credit. Once your material has been submitted, the only acceptable grounds for cancellation and a refund or gift card credit is an unforeseen, ongoing emergency on the part of either the writer or the exec resulting in more than 6 weeks without any scheduling update from the exec via direct contact or Roadmap, or a sudden change in the exec's ongoing availability. In the instance of an irreconcilable scheduling issue, the writer may still receive a written feedback report from the exec. In this case, the writer is not entitled to a refund or gift card credit as the exec has read the submitted material and provided written feedback in lieu of the call.