In addition to a tight, killer script, every TV project needs a strong series bible or deck to help convey sustainability and its role in the marketplace. And execs commonly ask for pitch decks for features as well! So submit your Series Bible, Pitch Deck (20 pages max each), or both, and the exec will conduct a 30-minute notes call (1-hour if submitting both documents) to help you clarify and sharpen the supplemental material to help your marketing efforts.
Questions? Email terra@roadmapwriters.com
I’m open to all genres but have a particular passion for elevated, character-driven material with a strong visual identity and international scope. I’m especially interested in stories that are emotionally complex, thematically rich and stylistically distinct. Current areas of focus include:
-- Psychological thrillers and neo-noir with a refined, suspenseful edge e.g., RIPLEY, WATCHER, DEEP WATER and HOLY SPIDER.
-- Emotionally grounded thrillers with a strong sense of place and moral ambiguity e.g., WIND RIVER, THE CONSTANT GARDENER and A PROPHET.
-- Darkly comic or satirical dramas that dissect identity, class, or power e.g., THE WHITE LOTUS and FARGO.
-- Sleek, moody crime thrillers e.g., DRIVE, COLD IN JULY and BEFORE THE DEVIL KNOWS YOU’RE DEAD.
-- Horror with psychological or sociopolitical undercurrents e.g., TRAFFIK, THE LAST HOUSE ON THE LEFT, THE VISIT and BARBARIAN.
-- True stories or inspired-by concepts that Trojan-horse a deeper perspective into a compelling, commercial package e.g., THE SERPENT, FOXCATCHER and UNDER THE BRIDGE.
-- Stories infused with magical realism, from the poetic to the surreal e.g., BIRDMAN, BLACK SWAN, TWIN PEAKS and PAN’S LABYRINTH.
Above all, I’m drawn to smart, atmospheric work that’s emotionally layered and grounded in humanity.
Aeysha launched her producing career with Harmony Korine’s cult hit SPRING BREAKERS, a film widely credited with helping to establish A24 as a major force in independent cinema. She went on to lead the Feature Film Division at MJZ, the world’s most awarded commercial production company and a nine-time winner of the Palme d’Or at Cannes. During her tenure, she collaborated with Emmy, Oscar, WGA and DGA-winning directors and writers overseeing work that has premiered at top-tier festivals including Venice, Toronto and Tribeca.
She has produced with companies including Blumhouse, Muse and Ingenious, developing over her 15-year career a slate of film and television projects featured on major platforms such as HBO, Netflix, Apple TV, Amazon, DirecTV and BET+. Her most recent feature, THE BURNT ORANGE HERESY (Sony Pictures Classics), written by Oscar-nominated Scott B. Smith, premiered at the Toronto International Film Festival and closed the Venice Film Festival.
Aeysha currently serves as Producer and Executive in Charge of Television and Film Development at Media Musketeers Studios, an international production, finance and distribution company. Their recent series ESSEX COUNTY (Canada) and FAITHLESS (Ireland) were both nominated for their countries’ top television awards in 2024 and 2025.
She holds B.A. and M.F.A. degrees and trained at the Royal Academy of Dramatic Art (RADA), Lake Forest College, The New School (The Actors Studio) and Northwestern University. Aeysha is a member of the Producers Guild of America.
After registering, you will receive instructions on how to submit your material in your order confirmation email. After submitting your material, please allow 3-4 weeks to receive proposed times for scheduling your consult with the exec.
PITCH DECKS: These are visually-driven documents (20 pages max) that use images and short paragraphs of text to demonstrate the tone, world, character insight, key plot points, stakes, and theme of the series or feature. If the Pitch Deck is for a show, it will use some of the same sections of text as your Series Bible, but will be less extensive. When creating a pitch deck, always make sure that you are using images of a consistent size and quality, and that you use the same font, color code, margins, and other design specifications throughout. Click here for a Pitch Deck example! Want more insight? Consider signing up for our Creating Professional Level Pitch Decks webinar!
SERIES BIBLES: These supplemental documents are text-only (20 pages max), and can get requested when marketing any sort of TV show. Among other things, they should demonstrate what makes your characters unique and captivating, the focus and evolution of their arcs, the rules of the world, the hook of the story engine, the intended tone and theme, as well as why YOU are the best person to write this show from this perspective. Here's example #1 and example #2. Note: The formatting and organization of Series Bibles has changed since these examples were created, but addressing these sections in your own Series Bible will be a great starting point to make sure you're answering questions before they're asked.
**Please note series bibles and pitch decks are each limited to 20 pages maximum. Please contact terra@roadmapwriters.com for pricing on a consultation for material exceeding 20 pages.
Be sure to familiarize yourself with Roadmap's Code of Conduct.
Questions? Email terra@roadmapwriters.com
Cancellation Policy: You may cancel your registration for a refund or Roadmap gift card if you have not yet submitted your material for review. However, once your material has been received by Roadmap, your registration cannot be canceled. Having revised material or a desire to retroactively apply a discount or gift card code are not grounds for cancellation, refunds, or gift card credit. Once your material has been submitted, the only acceptable grounds for cancellation and a refund or gift card credit is an unforeseen, ongoing emergency on the part of either the writer or the exec resulting in more than 6 weeks without any scheduling update from the exec via direct contact or Roadmap, or a sudden change in the exec's ongoing availability. In the instance of an irreconcilable scheduling issue, the writer may still receive a written feedback report from the exec. In this case, the writer is not entitled to a refund or gift card credit as the exec has read the submitted material and provided written feedback in lieu of the call.