Writing Your One Act Play

Online Classes
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$499.00
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Sold Out - Waitlist Available!

So, you’ve been writing screenplays for a while now, and you’re pretty comfortable with it. You know all the ins and outs, the rises and falls, and both the good and the bad. Everything’s great, until you realize: you haven’t had a real challenge that’s made you flex your writing muscles in a while. Well, look no further, because Roadmap Writers is thrilled to invite you to try your hand at playwriting!

Why playwriting? Besides being another creative way to get your work out there, you’ll have to strip your writing down to just the raw elements and really dive into your characters. After all, all a play needs is an actor and an audience.

You will be walked through fleshing out your concept, developing the plot, layering your characters and writing your full one-act play! This class is filled with weekly assignments, assigned reading, and interactive writing workshops. 

This Four-Week Class Will Cover:

  • Crafting compelling and engaging dialogue 
  • Creating strong scene structure
  • The six elements of dramatic writing and how to put them to work for your script 
  • How to build dramatic tension 
  • Feedback on your one-act play 

Week One - Course Introduction and Introduction to Playwriting

Date / Time
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Summary

In the first class, your Instructor will: 

Give an overview of playwriting, including: 

  • The essential nature of playwriting/plays and how they differ from film and television; 
  • A brief overview of the history of playwriting; 
  • Habits of contemporary playwriting; and 
  • Full length v. one act play qualities 

Lead a discussion of Cloud Nine in relationship to Poetics and The Empty Space. 

Set up the assignment for the course: 

  • Each playwright will compose a one-act play. The one-act play will have three passes. 
  • Each writer will direct someone else's play and will act in however many plays they are cast in/comfortable with acting in. For the final performance, actors should be off-book (memorized). 
  • To move to the next pass, each writer must achieve the pass before it. We will all move in unison, ie., you can’t linger on pass #2 the whole time just because you don’t want to work with a director or have your work read in front of strangers. All of that is part of the experience/education. If you don’t move into pass #3, you can’t move into pass #4. Likewise, you can’t opt out of directing/acting. That is also part of the education. No one expects you to be Fellini or Brando here … the point is to learn.

Week Two - Read Through Draft #1 and Blue Kettle Discussion

Date / Time
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Summary

In this class, Instructor will: 

  • Lead a discussion of Blue Kettle in a relationship to Poetics and The Empty Space 
  • Lead each writer through the presentation of their first drafts and give feedback

Week Three - Read Through Draft #2 & The Empty Space Wrap Up

Date / Time
-
Summary

In this class, Instructor will: 

  • Lead a discussion of The Empty Space, wrapping up that lesson 
  • Lead each director through the presentation of their writer's second drafts and facilitate group feedback 
  • Hear each writer's Career Vision 
  • Present resources for places to submit work and take next steps

Week Four - Final Presentation

Date / Time
-
Summary

In this fourth and final class, Instructor will: 

  • Welcome the invited audience 
  • Introduce each collaborative team 
  • Facilitate a heart congratulations and celebration of everyone's work 
More about
Danny Rocco
Playwright/Development
KILL Productions
Danny Rocco (Mitarotondo)’s plays have been developed and produced in New York, Los Angeles, Cape Cod, Colorado, Romania, at the Williamstown Theatre Festival, Oregon Shakespeare Festival and most recently at the Irondale Theater Center. Danny is a Yaddo resident artist, an Edward F. Albee Fellow, a graduate of New York University’s Gallatin School, and Columbia University’s School of the Arts with an MFA in playwriting. He has been the playwright in residence at the Atlantic Acting School since 2015, developing new plays annually for production at the Linda Gross Theater. He is the Artistic Director of Brontosaurus Haircut Productions, and the co-creator of the Score Technique of playwriting. His play WHAT THE SPARROW SAID is being made into a movie under the direction of Tim Guinee, executive produced by Anson Mount (@SparrowTheMovie). Currently, Danny works on the creative team of Joshua John Miller and M.A. Fortin (QUEEN OF THE SOUTH) in the development of new series for FX on Hulu (K.I.L.L. Productions).
How it Works

Cancellation Policy: You may cancel for a full refund up to 5 days prior to the start of the class. Cancellations requested after this period will be ineligible for refunds.

Please ensure you are familiar with our Code of Conduct.

The Roadmap Promise

Roadmap Writers prides itself on the quality of executives we bring to our programs and we work hard to get you the best feedback possible.

Our vetted executives are chosen by the legitimacy of the companies they work for and their ability to evaluate pitches and pages.

Only the executives you sign up for will be provided with your materials.