TV Pilot 101

Online Classes
Hosted By:
Audrey Knox - Manager, Cartel Entertainment
Weekly, starting on Saturday, 09/10 @ 10:00AM - 11:30AM PT
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$124.00

It's no secret that there are more outlets for TV than ever before. For those of us looking to break into the industry, TV is a great path to pursue. But in order to work in TV, you have to write pilots. 

If you've never written a pilot (or if it's been a little while since you wrote one), the whole process can seem daunting. What is the structure? How do you set up the storylines? And what are the elements that turn a good pilot into a great pilot? 

To help all up and coming TV writers shine, Audrey Knox is here with this special four part lecture series! 

This Four Week Series Will Cover: 

  • Concepts and premises 
  • Structure 
  • Characterization 
  • Conflicts and story engines 
  • Outlines 
  • Making your pages pop 
  • Self-study assignments each week 
  • Plus a discount for a consult with Audrey at the conclusion of the course 

Week One - Concepts, TV Premises & Translating Story Structure to Television

Date / Time
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Summary

This week, we'll focus on how to set yourself up for a successful pilot. 

Week Two - Concepts, Conflict & Characters

Date / Time
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Summary

This week, we will focus on creating characters and conflict that can power a series through multiple episodes/seasons. 

Week Three - Act Breaks, A/B Stories & Outlines

Date / Time
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Summary

This week, we will focus on structure and how to lay out your storylines in your pilot. 

Week Four - Writing the First Draft & Character Introductions

Date / Time
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Summary

This week, we will focus on what you need to keep in mind as you go to pages and how to make your characters pop off the page from the first time we meet them. 

More about
Audrey Knox
Manager
Cartel Entertainment
A graduate of Chapman University’s Dodge College of Film and Media Arts with a BFA in screenwriting, Audrey Knox worked her way up from receptionist to manager in two years at the Cartel and now has clients staffed on GROWN-ISH and P-VALLEY. Audrey has experience in both scripted and unscripted television, on set, in production, and in writers’ rooms. Company clients’ credits have included LUCIFER, HAPPY DEATH DAY, BOJACK HORSEMAN, BROOKLYN NINE-NINE, and HAPPY! to name a few.
Testimonials

I cannot recommend Audrey enough - from moment one, she brought in a down to earth real-person demeanor, and then when we got into the work, her feedback was actionable, no-bullsh*t, and the real deal. She has a steady finger on the pulse of this industry & knows what works and what doesn't. I'm so grateful for the few sessions I've done with Audrey, all of which eventually led to a working relationship where she's now taking out some of my scripts for staffing & development opportunities!

~ Tristan J Shuler, TV Writer

Audrey is very straight-forward, blunt even. Not for everyone, but for my stubborn writer brain, it worked perfectly! She makes sure to start and end each session with positive aspects & compliments, and she's very helpful if you're actually open to hearing what she's saying. She's great at structure and even gives specific solutions to page problems to make the story an easier read. I would recommend Audrey to any writer who is serious about starting their career and is not easily defensive when getting notes about structure.

~ Anonymous Screenwriter

Audrey was really helpful. I've heard similar notes about my structure before, but I never heard it explained as clearly and concretely as Audrey did. I'm so glad I signed up for this session and was able to connect with Audrey!

~ Darci Faye, Screenwriter

How it Works

Cancellation Policy: You may cancel for a full refund up to 5 days prior to the start of the class. Cancellations requested after this period will be ineligible for refunds.

Please ensure you are familiar with our Code of Conduct.

The Roadmap Promise

Roadmap Writers prides itself on the quality of executives we bring to our programs and we work hard to get you the best feedback possible.

Our vetted executives are chosen by the legitimacy of the companies they work for and their ability to evaluate pitches and pages.

Only the executives you sign up for will be provided with your materials.