I’m driven by compelling characters regardless of the genre in which they inhabit. I'm currently drawn to television that feels molded from the classic storytelling models as well as shows that aren't afraid to inhabit multiple tonal spaces. Widow's Bay comes to mind as a form of the latter, while Adults serves as a model for the former. History told through a contemporary lens (such as NatGeo's A SMALL LIGHT) and genre that refracts back on what it means to live today will always draw an interest.
Speculative literary fiction angled towards crafting a world that is not our own to attempt to make sense of our own. To that end, thrillers with a nod towards today's reality will always have space, as will dramas, comedies, and dramedies that find the beauty in the mundane, giving us fully-realized character we think we can know to watch how they choose to do things.
Matt Derr currently serves as a development consultant across film and television, working closely with writers on projects in development and not yet announced. He was most recently an executive in the Scripted Television department for Keshet Studios, utilizing Keshet's international footprint to service a Universal Television first look and independent studio mandates. Credits across broadcast television and streaming/premium platforms include ECHO 3 (Apple), SMALL LIGHT (Nat Geo), THE MISSING (Peacock), and LA BREA (NBC).
Prior to joining Keshet, Matt worked in comedy at HBO on such shows as LOOKING, PROJECT GREENLIGHT, CRASHING, and THE COMEBACK, while collaborating alongside colleagues on a slate of comedic projects.
Matt's career began in talent management at MGMT. Entertainment, working alongside the likes of Keira Knightley, Helena Bonham Carter, and Haley Bennett, coordinating professional efforts and covering incoming submissions, playing an instrumental part in Keira Knightley's work in IMITATION GAME.
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PITCH DECKS: These are visually-driven documents (20 pages max) that use images and short paragraphs of text to demonstrate the tone, world, character insight, key plot points, stakes, and theme of the series or feature. If the Pitch Deck is for a show, it will use some of the same sections of text as your Series Bible, but will be less extensive. When creating a pitch deck, always make sure that you are using images of a consistent size and quality, and that you use the same font, color code, margins, and other design specifications throughout. Click here for a Pitch Deck example! Want more insight? Consider signing up for our Creating Professional Level Pitch Decks webinar!
SERIES BIBLES: These supplemental documents are text-only (20 pages max), and can get requested when marketing any sort of TV show. Among other things, they should demonstrate what makes your characters unique and captivating, the focus and evolution of their arcs, the rules of the world, the hook of the story engine, the intended tone and theme, as well as why YOU are the best person to write this show from this perspective. Here's example #1 and example #2. Note: The formatting and organization of Series Bibles has changed since these examples were created, but addressing these sections in your own Series Bible will be a great starting point to make sure you're answering questions before they're asked.
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