My particular interest is in relationship dramas which have a returnable format or crime series which offer something new to the genre. As the mother of a teenage son, I am also interested in scripts which target that audience. Most importantly, I am interested in working with writers who are passionate about their idea. My passion has always been storylining and regardless of the genre, if there is a strong idea at the heart of a script, then it's something I can work with.
I'm never drawn to an idea which is sold of being the new version of something which already exists ie. 'this is the new Stranger Things meets Game of Thrones. Those shows already exist in their own right and a hybrid of the two will only ever come across as a watered down version and commissioners can spot it a mile off!
Jane Hudson is a drama television producer with 26 years experience in the industry. At 27, Jane became a producer of BBC's Casualty having previously worked as a script editor/storyliner on Hollyoaks and Coronation Street. Jane then went on to produce BBC's Robin Hood, Waterloo Road and Hustle before producing and writing Law & Order UK for ITV. After having a child, Jane moved into Drama Commissioning at ITV for almost five years before taking up an Executive Development Producer role with Eleven Film. Most recently, Jane was the Executive Producer of ITV's Emmerdale and saw them through Covid, becoming the first production to return to filming after lockdown and ensuring that one of the UK's most watched shows remained on screen. Jane is now writing and developing her own projects as well as collaborating with a number of writers on their scripts.
After registering, you will receive instructions on how to submit your material in your order confirmation email. After submitting your material, please allow 3-4 weeks to receive proposed times for scheduling your consult with the exec.
PITCH DECKS: These are visually-driven documents (20 pages max) that use images and short paragraphs of text to demonstrate the tone, world, character insight, key plot points, stakes, and theme of the series or feature. If the Pitch Deck is for a show, it will use some of the same sections of text as your Series Bible, but will be less extensive. When creating a pitch deck, always make sure that you are using images of a consistent size and quality, and that you use the same font, color code, margins, and other design specifications throughout. Click here for a Pitch Deck example! Want more insight? Consider signing up for our Creating Professional Level Pitch Decks webinar!
SERIES BIBLES: These supplemental documents are text-only (20 pages max), and can get requested when marketing any sort of TV show. Among other things, they should demonstrate what makes your characters unique and captivating, the focus and evolution of their arcs, the rules of the world, the hook of the story engine, the intended tone and theme, as well as why YOU are the best person to write this show from this perspective. Here's example #1 and example #2. Note: The formatting and organization of Series Bibles has changed since these examples were created, but addressing these sections in your own Series Bible will be a great starting point to make sure you're answering questions before they're asked.
**Please note series bibles and pitch decks are each limited to 20 pages maximum. Please contact terra@roadmapwriters.com for pricing on a consultation for material exceeding 20 pages.
Be sure to familiarize yourself with Roadmap's Code of Conduct.
Questions? Email terra@roadmapwriters.com
Cancellation Policy: You may cancel your registration for a refund or Roadmap gift card if you have not yet submitted your material for review. However, once your material has been received by Roadmap, your registration cannot be canceled. Having revised material or a desire to retroactively apply a discount or gift card code are not grounds for cancellation, refunds, or gift card credit. Once your material has been submitted, the only acceptable grounds for cancellation and a refund or gift card credit is an unforeseen, ongoing emergency on the part of either the writer or the exec resulting in more than 6 weeks without any scheduling update from the exec via direct contact or Roadmap, or a sudden change in the exec's ongoing availability. In the instance of an irreconcilable scheduling issue, the writer may still receive a written feedback report from the exec. In this case, the writer is not entitled to a refund or gift card credit as the exec has read the submitted material and provided written feedback in lieu of the call.