Right now I'm particularly interested in escapist, entertaining TV series ideas. Complex characters with returnable appeal that bring fresh perspectives and transport audiences. Shows that can comfortably service the "middle" ie doesn't require the high-end budgets that have dominated TV for sometime.
Not looking for period dramas or fantasy shows - though I adore both.
Florence is an experienced development producer with credits for Sky, BBC, ITV and Channel 4. Whilst working with BBC Writersroom and big indies including VERTIGO, BIG LIGHT and MAMMOTH SCREEN. Florence developed relationships with both emerging & established talent and continues to work with some of the very first writers starting out in their careers at the same time as her.
With a strong background in both production and development, she continues to actively scout and champion underrepresented voices. Currently, she is developing new, ambitious projects for global-facing audiences.
Additionally, Florence is a founding member of Insight Mixer - which brings together Black creatives in the UK TV/Film space running sessions and networking events with the likes of Lennie James (THE WALKING DEAD), Michaela Coel (I MAY DESTROY YOU), as well as collaborating with Merky Books to run a Film and TV creatives panel for their Literature Festival in 2023.
Having attended NFTS, completing their Script Development Diploma, Florence is passionate about all things story.
After registering, you will receive instructions on how to submit your material in your order confirmation email. After submitting your material, please allow about 3-4 weeks to receive proposed times for scheduling your call with the exec. If you haven't heard from your exec by the 3-4 week mark about scheduling, please email terra@roadmapwriters.com so we know to check in with them on your behalf about their proposed dates/ETA for you.
PITCH DECKS: These are visually-driven documents (20 pages max) that use images and short paragraphs of text to demonstrate the tone, world, character insight, key plot points, stakes, and theme of the series or feature. If the Pitch Deck is for a show, it will use some of the same sections of text as your Series Bible, but will be less extensive. When creating a pitch deck, always make sure that you are using images of a consistent size and quality, and that you use the same font, color code, margins, and other design specifications throughout. Click here for a Pitch Deck example! Want more insight? Consider signing up for our Creating Professional Level Pitch Decks webinar!
SERIES BIBLES: These supplemental documents are text-only (20 pages max), and can get requested when marketing any sort of TV show. Among other things, they should demonstrate what makes your characters unique and captivating, the focus and evolution of their arcs, the rules of the world, the hook of the story engine, the intended tone and theme, as well as why YOU are the best person to write this show from this perspective. Here's example #1 and example #2. Note: The formatting and organization of Series Bibles has changed since these examples were created, but addressing these sections in your own Series Bible will be a great starting point to make sure you're answering questions before they're asked.
**Please note series bibles and pitch decks are each limited to 20 pages maximum. Please contact terra@roadmapwriters.com for pricing on a consultation for material exceeding 20 pages.
Be sure to familiarize yourself with Roadmap's Code of Conduct.
Questions? Email terra@roadmapwriters.com
Cancellation Policy: You may cancel your registration for a refund or Roadmap gift card if you have not yet submitted your material for review. However, once your material has been received by Roadmap, your registration cannot be canceled. Having revised material or a desire to retroactively apply a discount or gift card code are not grounds for cancellation, refunds, or gift card credit. Once your material has been submitted, the only acceptable grounds for cancellation and a refund or gift card credit is an unforeseen, ongoing emergency on the part of either the writer or the exec resulting in more than 6 weeks without any scheduling update from the exec via direct contact or Roadmap, or a sudden change in the exec's ongoing availability. In the instance of an irreconcilable scheduling issue, the writer may still receive a written feedback report from the exec. In this case, the writer is not entitled to a refund or gift card credit as the exec has read the submitted material and provided written feedback in lieu of the call.