Comedy, elevated horror, cosy crime, and satire. But open to anything that feels unexpected and fresh.
Eileen Tracey is a writer, director and script editor working across Film, TV, and audio. Known for her sharp wit and compelling storytelling, she has made a significant mark in the comedy space. Her acerbic comedy pilot SPINSTER went into production last year with the BBC and Hat Trick Productions. DERRY GIRLS creator Lisa McGee served as an executive producer and mentor.
Eileen’s talent has been widely recognised—she won a Northern Irish comedy talent search and was shortlisted for both BAFTA Rocliffe and the Female Flight Club competition. Her work has also earned nominations from the Royal Television Society, National Youth Film Awards, and numerous film festivals.
In addition to her own projects, Eileen is a sought-after script editor and co-writer, collaborating with various production companies across genres—including thrillers, horror, drama, and even a Western. She has ghostwritten feature films and edited TV scripts for various production companies. She serves as a story consultant for various producers and provides insightful notes and fixes.
Eileen began her career in drama, co-writing and directing ONE FOR THE ROAD, a powerful film developed alongside victims of climate change in a small Welsh town. The film received international acclaim, screening at festivals such as Norwich Film Festival, Carmarthen Bay, and Edinburgh International Film Festival. Lead actress Lynn Hunter (End of the F***ing World) won Best Actress at the prestigious Dinard Film Festival for her role. More importantly, ONE FOR THE ROAD became a vital tool in the real-life campaign to save the affected community’s homes.
Eileen continued her socially driven storytelling with A PARTICULAR FRIEND, a provocative drama developed with survivors of conversion therapy. Awarded funding from NI Screen, she shot the film in 2023 with Brian Milligan (Hunger) and Chris Robinson (How to Get to Heaven from Belfast) in the leading roles. The film went on to screen at various festivals and received the esteemed RE:Focus Fund from Inside Out Festival.
Beyond TV and film, Eileen is expanding her creative reach. She is developing a comedy-drama feature and a folk horror, while also working in the audio space—both as a writer for podcasts and as the co-host of her own podcast, ON THE TURN.
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PITCH DECKS: These are visually-driven documents (20 pages max) that use images and short paragraphs of text to demonstrate the tone, world, character insight, key plot points, stakes, and theme of the series or feature. If the Pitch Deck is for a show, it will use some of the same sections of text as your Series Bible, but will be less extensive. When creating a pitch deck, always make sure that you are using images of a consistent size and quality, and that you use the same font, color code, margins, and other design specifications throughout. Click here for a Pitch Deck example! Want more insight? Consider signing up for our Creating Professional Level Pitch Decks webinar!
SERIES BIBLES: These supplemental documents are text-only (20 pages max), and can get requested when marketing any sort of TV show. Among other things, they should demonstrate what makes your characters unique and captivating, the focus and evolution of their arcs, the rules of the world, the hook of the story engine, the intended tone and theme, as well as why YOU are the best person to write this show from this perspective. Here's example #1 and example #2. Note: The formatting and organization of Series Bibles has changed since these examples were created, but addressing these sections in your own Series Bible will be a great starting point to make sure you're answering questions before they're asked.
**Please note series bibles and pitch decks are each limited to 20 pages maximum. Please contact terra@roadmapwriters.com for pricing on a consultation for material exceeding 20 pages.
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