I am open to working with writers in any genre to improve their scripts. At my company specifically, at this moment we are looking for more female centric stories, as well as lighter comedies.
In general, I am interested in character driven stories. I specialize in book to screen adaptations, comedies, adult dramas, and political/government thrillers. Both original ideas, as well as based or inspired by true events or people.
Robert Komadina is a principal at High Card Films and member of the Producers Guild of America. As a studio production executive, Robert worked on several Academy Award winning feature films and critically acclaimed television series while at The Weinstein Company, Spyglass Media Group, and Universal Music Group.
His documentary work has examined some of music’s greatest voices. Most recently, he produced SELENA Y LOS DINOS, directed by Isabel Castro, which features a deep dive into the life of Latin American sensation Selena Quintanilla. The film premiered in competition at the 2025 Sundance Film Festival and was subsequently acquired by Netflix. Prior to that, he produced the revealing portrait of DONNA SUMMER (HBO) directed by Academy Award Winner Roger Ross Williams and Donna’s daughter, Brooklyn Sudano.
Other recent projects include an intimate look back at the Gibb Brothers’ extraordinary career in HBO’s Emmy Award Winning THE BEE GEES, the Oscar Shortlisted THE VELVET UNDERGROUND (Apple) directed by Todd Haynes, Critic’s Choice winner THE GO GO’S (Showtime), and a multi-part series on the Godfather of Soul, James Brown (A&E).
After registering, you will receive instructions on how to submit your material in your order confirmation email. Please be sure to select Career Coaching as your consultation type on your material submission form, so that you are able to submit all supplemental materials on the same form. Provide your script, writer bio, and one-pager of loglines (to include Title, Format, Genre, and Comps with each logline). Be sure to note which loglines are for already drafted screenplays, and which are for scripts that have yet to be completed.
After submitting your material, please allow about 3-4 weeks to receive proposed times for scheduling your call with the exec. If you haven't heard from your exec by the 3-4 week mark about scheduling, please email terra@roadmapwriters.com so we know to check in with them on your behalf about their proposed dates/ETA for you.
**Please note feature screenplays are limited to 120 pages maximum, hour pilots 65 pages maximum, and single-cam half-hour pilots 35 pages maximum. Please contact terra@roadmapwriters.com for pricing on a consultation for a screenplay exceeding these page limits.
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Questions? Email terra@roadmapwriters.com
MARKETING BONUS! If you receive a rating of Excellent or Virtually Flawless in at least four out of five categories (Logline and Formatting/Ease of Reading are excluded) on your consultation feedback report, we'll do one round of personalized marketing to execs (up to 5) for this screenplay for free!
Cancellation Policy: You may cancel your registration for a refund or Roadmap gift card if you have not yet submitted your material for review. However, once your material has been received by Roadmap, your registration cannot be canceled. Having revised material or a desire to retroactively apply a discount or gift card code are not grounds for cancellation, refunds, or gift card credit. Once your material has been submitted, the only acceptable grounds for cancellation and a refund or gift card credit is an unforeseen, ongoing emergency on the part of either the writer or the exec resulting in more than 6 weeks without any scheduling update from the exec via direct contact or Roadmap, or a sudden change in the exec's ongoing availability. In the instance of an irreconcilable scheduling issue, the writer may still receive a written feedback report from the exec. In this case, the writer is not entitled to a refund or gift card credit as the exec has read the submitted material and provided written feedback in lieu of the call.