I am particularly interested in high-concept projects with a strong genre and hook. Blockbusters that say something or execute at a high level while satisfying audiences. On the deeper side think: MINORITY REPORT, GET OUT, or THE MATRIX on the fun side think OCEAN'S ELEVEN or CATCH ME IF YOU CAN.
I want projects that sound unique even from the initial pitch and whose specialness is not execution dependent.
Chase Hinton is a development executive, producer, and writer with over 15 years in the entertainment industry. Projects he has developed have attached multiple Academy, Emmy, and Peabody Award-winners, A-list talent, and directors with over a billion dollars in box office.
As Co-Executive Producer he is currently delivering DEAD MAN'S WIRE directed by Gus Van Sant and starring Bill Skarsgård, Colman Domingo, and Al Pacino. BRIDE HARD, which he Executive Produced and developed, hits theaters around the world this summer starring Rebel Wilson, Anna Camp, Da'Vine Joy Randolph, Stephen Dorff, and Justin Hartley, directed by Simon West (CON AIR, LARA CROFT: TOMB RAIDER).
He developed the romantic comedy THE OTHER GIRL which is currently in the midst of a major studio bidding war, with THE LEADER starring Tim Blake Nelson, Vera Farmiga, and Grace Caroline Currey up next, followed by the revenge western IN THE CRADLE OF GRANITE starring Melissa Barrera.
All of these projects, and others yet to be announced, were built during Hinton's tenure at Balcony 9 Productions where he currently serves as Head of Development. Past releases include PAINT starring Owen Wilson, THE IMMACULATE ROOM with Emile Hirsch, Kate Bosworth, and Ashley Greene, and SOME OTHER WOMAN starring Amanda Crews, Tom Felton, and Ashley Greene.
Before Balcony 9, Hinton founded Cut to the Chase Films which provided soup to nuts development and production on dozens of commercials, short films, music videos, and web series. Their feature film IRL (also written by Hinton) received 100% on Rotten Tomatoes and the ReFrame Stamp from the Sundance Institute and Women in Film for its commitment to gender equity.
Private Month Mentorship
Each month mentorship kicks off with a preliminary 15-min. call to set expectations and lay out strategy for the month. Writer will have email access to the executive plus 4x one-hour consultations with the exec. Exec will read up to 4 scripts in one month (different drafts of the same script or 4 different scripts) and conduct 4x one-hour story notes calls. Calls can also include feedback on your pitch, branding, or career strategy.
If you pay with the deposit/payment plan, your second half will be due the 2nd week of the Mentorship. If you need a different type of payment plan, email dorian@roadmapwriters.com.
**Please note feature screenplays are limited to 120 pages maximum. Please contact terra@roadmapwriters.com for pricing on a Month Mentorship on screenplays exceeding 120 pages.
What To Expect
After registering, you will receive an automatic Order Confirmation email. Then Roadmap's Director of Consultations, Terra Joy, will get your mentor looped in with you! If you do not hear from Terra or the exec within 3 days of registering, feel free to email terra@roadmapwriters.com for an update.
Before starting your Month Mentorship, please ensure you are familiar with our Code of Conduct.
Cancellation Policy: You may cancel your registration for a refund or Roadmap gift card if you have not yet submitted your material for review. However, once your material has been received, your registration cannot be canceled. Having revised material or a desire to retroactively apply a discount or gift card code are not grounds for cancellation, refunds, or gift card credit. Once your material has been submitted, the only acceptable grounds for cancellation and a refund or gift card credit is an unforeseen, ongoing emergency on the part of either the writer or the exec resulting in more than 6 weeks without any scheduling update from the exec via direct contact or Roadmap, or a sudden change in the exec's ongoing availability. In the instance of an irreconcilable scheduling issue, the writer may still receive a written feedback report from the exec. In this case, the writer is not entitled to a refund or gift card credit as the exec has read the submitted material and provided written feedback in lieu of the call.