A Better Way to Structure Your Feature

Like many people, Dylan Visvikis was born. Sometime after that, his feature script THE HAMPTONS made the HIT LIST, he rewrote a feature for Gunpowder + Sky, wrote a feature for the Oscar-and-Emmy-nominated producer of SE7EN and EMILY IN PARIS, optioned an hourlong pilot with a Teen Wolf star attached. Dylan adapted a non-fiction book for Baha Productions (I Play Rocky), played on a Grammy-nominated album, co-created/wrote and sold a scripted podcast to one of the producers of BLACK SWAN, and was one of just 6 half-hour writers selected for inclusion in The Black List’s TV Writers Staffing Book. Later he wrote a microbudget horror feature for an Emmy-nominated director, was named a semifinalist for the Nicholl Fellowship and a winner of the Tracking Board Launch Pad Feature Competition, and even rewrote and produced a Tribeca Film Festival-selected short film.

Most recently, Dylan has been commissioned to write feature films for Mandalay Pictures (AIR), RNA Films (2x-Oscar-nominated THE APPRENTICE, DEAD MAN'S WIRE) and Imagine Entertainment (A BEAUTIFUL MIND), with an Oscar-winning A-list actor attached to star in the latter. To date, every produced script he's developed or rewritten has been critically well-received, and countless other scripts he's helped his fellow writers hone have been either sold, optioned, used as a successful sample to secure its writer representation at major agencies (including UTA) and management companies (including Heroes & Villains), placed in one or more notable screenwriting competitions, made the Black List, and/or either all or some combination of the above. He’s represented by Elevate Entertainment.