Get an exec's perspective on the opening pages of your script.
- The executive of your choice will spend 10 minutes reading the opening pages of your script.
- The exec will provide a feedback report on that read which you will receive within 7 to 10 business days of the scheduled session.
I always like to learn a bit about who is pitching me, or telling me the story, and why it matters to them. Why are you the person to tell this story and why now?
-Female Genre (Science-Fiction/Fantasy/Thriller/Superhero)
-Comedies…live action or animation…for audiences of all ages...always a sucker for a good rom-com
-Contemporary takes on classics
Always interested in genre/superhero/sci fi from female writers
Not really looking for standard one hour dramas; true crime or pop-documentaries (I think market is too saturated). Same for dystopian.
Truly about the story...if there is a unique one-hour procedural...I still am interested.
With nearly two decades of experience in entertainment, Sam Schifrien can trace her fascination for the magic of film & TV back to a moment in her Northern New Jersey kindergarten, when she learned to tie her shoes for a sketch on the MTV show The State. In the three decades since that moment, Sam has gone on to work for multiple representation companies in several capacities, networks & studios in international development and media relations, in a writers’ room and on sets (where her responsibilities grew beyond tying shoes).
Most recently before starting her own company, 93 Cedar, Sam developed a slate for Untitled Entertainment that included projects (mainly television) with Christina Ricci, Reggie Hudlin, Chris Diamantopoulos, Annie Chang, The Crown Princess of Greece, Vanessa Hudgens, Melanie Griffith, and Jack & Danny Huston. Before Untitled, Sam worked with producer Michael Rosenberg (Hung, The Riches) at roseyTV, originally under a deal with eOne. Most notably, roseyTV produced PopTV’s Let Get Physical from Workaholics’ Connor Pritchard and starring Matt Jones & Jane Seymour, for which Sam received a Development Associate credit. Prior to that, Sam worked with JoAnn Alfano, first on ABC’s Resurrection starring Omar Epps & Frances Fisher, with a writing staff that included Tara Butters & Michele Fazekas, Aaron Zelman, Tom Schnauz, and the late, great Nathan Louis Jackson, as well as producing-directors Dan Attias & Chris Misiano. Sam followed JoAnn to NBCUniversal International where the slate of projects originated from companies within the UK, Australia and Canada, and included Carnival’s Downton Abbey, Australia’s Glitch which streamed on Netflix, & You, Me, and the Apocalypse which aired in the US on NBC.
Sam started her career (really at ABC Media Relations in NYC in high school, but in Los Angeles) at Brillstein Entertainment Partners, captaining their flag football team and working for literary manager Margaret Riley, whose rosters includes Charles Randolph (The Big Short), Susanna Fogel (A Small Light), Alex Tse (Wu-Tang Saga), Mark Ruffalo (Sympathy for Delicious), Margaret Nagle (Warm Springs), Ann Cherkis (Better Call Saul) and Anthony Zuiker (CSI). Sam proudly graduated from the USC Business-Cinematic Arts Joint Degree Program started by industry legend and former WMA agent Larry Auerbach, with Order of Troy Honors for service.
In addition to working to build 93 Cedar, recently Sam has worked in story analysis and IP evaluation for companies with major studio deals, and judged screenplay competitions for various festivals, institutions and organizations. Currently, she is looking for like-minded partners and is building a slate that includes female-created genre, comedy with a purpose/has a personal connection to the creator & builds up opposed to tearing down, and any non-fiction or docu-series projects which could be partnered with advocacy groups.
Sam is extremely adept at story as well as giving excellent refining notes. You can tell that she has a sophistication about what will work and what will be commercially viable. It felt like she gave only the notes that were absolutely necessary without getting too nitpicky or detail oriented. I feel like my material will be much much better for having met with her, and I am extremely thankful!
~ Heather Mason, Screenwriter
- Immediately after registering, you will receive an Order Confirmation email that serves as the receipt for your registration.
- In the Order Summary section of this email you will find a link reading "CLICK HERE FOR INSTRUCTIONS" that will take you to instructions on how to submit your script via the Material Submission Form.
- Your material submission is due as soon as you are ready, but no later than 9:00am PT on the day of the session.
- During the session, the exec will read as many of your opening pages as they can get through in 10 minutes.
- You will receive this exec's written feedback on your pages via email within 10 business days following the session unless otherwise notified.