Colin Scully - Top Tier Portfolio General Meeting

Top Tier Programs
$160.00
Formats Interested In
Features
Particularly Interested In (Film/TV)

High-concept ideas that can be done at an indie scale. I am prioritizing horror, but also could be action, adventure, sci-fi. My current budget range is $1-$5m. I am interested in higher budget ideas in very selective cases. My focus is on audiences <35. What are the issues they're concerned with, and what stories could serve as catharsis? Stories that are sticky, buzzy, and about something spread through the watercolor fastest.

Feature Genres
Drama
Sci-Fi
Adventure
Thriller
Horror
Budget Range
Up to $1MM
Up to $5MM
Up to $30MM
Sub-Genres
Ghosts
High-Concept
Political
Revenge
Romance
Satire
Socially Relevant
Supernatural
Specifically Not Interested In

Period films, musicals,

Exec Based In: United States
More about Colin Scully

Colin is an independent film producer and former studio executive with extensive experience in developing, financing, and producing studio and independent films of all genres, for both domestic and international markets.

In his current venture, Honey Super Film, he is developing a slate of high-concept, genre-based, issue-driven movies, including multiple award-winning book IP, horrors, comedies, a documentary, and some bigger-budget outliers.

Previously, he spent nearly a decade at Constantin Film, an international studio that finances, produces, and distributes commercial genre film and TV for global markets. His credits include RESIDENT EVIL (2026) directed by Zach Cregger and based on the massive video game, GOOD LUCK HAVE FUN DON'T DIE (2026) directed by Gore Verbinski, REGRETTING YOU (2025) directed by Josh Boone and based on the bestselling Colleen Hover novel, as well as IN THE LOST LANDS (2025, feature), SMILLA'S SENSE OF SNOW (2025, international TV series), RESIDENT EVIL TV (2022, Netflix series), and SHADOWHUNTERS (2019), based on the major bestselling book series The Mortal Instruments.

At Constantin, he learned to develop material in alignment with tentpole mandates: high-concept, four-quadrant wish fulfillment. Today, he carries that discipline into the independent space, focusing on more personal and radical stories anchored in cultural urgency.

He regularly guest lectures at the University of Texas and mentors emerging filmmakers, and is currently partnered with several non-profits to bring underserved stories and communities to the screen.

He is always on the hunt for the next interesting, delightful story in his inbox.

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