A heist project - either comedic a la OCEANS or gritty Americana a la HELL OR HIGH WATER. For TV, we could follow the MONEY HEIST model.
Female led thrillers - “MICHELLE CLAYTON”
Coenesque/left-of-center comedies a la BURN AFTER READING, THE INFORMANT
Elevated unflinching dramas a la UNBELIEVABLE, THE STAIRCASE, PRESUMED INNOCENT, DEFENDING JACOB, THE NIGHT OF
Musical-adjacent projects a la DAISY JONES and ALMOST FAMOUS
Irreverent, biting political satires a la VICE
Political thriller a la HOUSE OF CARDS and IDES OF MARCH (Wouldn't be about current politics but just in the world of politicians)
Twisty domestic thriller a la GONE GIRL and BIG LITTLE LIES
Atmospheric-location dramas a la BLOODLINE, BECOMING A GOD,
OZARK where the setting is basically a character
SUCCESSION/YELLOWSTONE-esque matriarch project
Elevated “hard funny“ comedies a la HACKS
Elevated crime drama a la NIGHT MANAGER
Dark comedies a la BAD SISTERS and DEAD TO ME
Also, all of these apply to international projects as well, especially UK, Ireland, and Netherlands, but would take all EU as well, and Mexico.
Don't usually go for body horror but I do creature and psych horror. Don't usually do rom-com but I do genre blend, so if its rom/action, that's ok. If the budget as a television show is unrealistic.
Ryan Goldblum combines his experience in Film/TV development and literary management to identify emerging global talent, help guide and shape writer and director careers and portfolios, and develop an independent slate of indie feature projects both domestically and internationally.
Having worked alongside Emmy-award winning producers and creatives on projects like Richard Linklater's APOLLO 10 1/2 (Netflix) and Raphael Bob-Waksberg's UNDONE (Amazon), Ryan has a keen eye for projects that will pop in the marketplace. Currently, he has two independent features set up with production partners, and clients developing scripts with top-tier production companies including Zero Gravity and Gran Via Entertainment.
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