Raquelle David

Manager / Producer , Authentic
Formats Interested In
TV
Features
Podcasts
Intellectual Property (IP) for Film/TV Development
Particularly Interested In

High concept elevated genre

Women Writers
Writers of Color
LGBTQIA+ Writers
Writers Over 40
Writers with Disabilities
Neurodivergent Writers
Writers Outside LA
Authors (Fiction)
Authors (Non-Fiction)
Feature Genres
Drama
Comedy
RomCom
Sci-Fi
Action
Adventure
Fantasy
Thriller
Horror
Budget Range
All Budget Ranges
TV Formats
Half-Hour Pilots (single-cam)
Half-Hour Pilots (multi-cam)
One-Hour Pilots
TV Homes
Network
Cable
Premium Cable
Streaming
TV Genres
Drama
Comedy
RomCom
Sci-Fi
Action
Adventure
Fantasy
Thriller
Horror
Sub-Genres
High-Concept
Specifically Not Interested In

Period, limited series.

Exec Based In: United States
More about Raquelle David

Raquelle David is a Los Angeles–based producer and literary manager with nearly two decades of experience across film, television, and talent representation. Originally from Sydney, Australia, she works across both the U.S. and international markets, championing bold storytellers and globally resonant narratives.
She currently represents a dynamic roster of writers, directors, and producers, having held management roles at Authentic Talent and Literary Management, Lit Entertainment Group, and Elevate Entertainment. She is known for her sharp creative instincts, strategic packaging expertise, and commitment to elevating distinctive voices. In Australia, Raquelle held positions at Goalpost Pictures, Seven Network on Australia’s highly acclaimed television series PACKED TO THE RAFTERS, Screen NSW as Production and Development Executive, and Rhombus Media in Canada.

As a producer, Raquelle has produced critically acclaimed independent features including the horror feature OBSERVANCE, which sold in the U.S., UK, and Australia, and the romantic sci-fi comedy A GUIDE TO DATING AT THE END OF THE WORLD. Her earlier work includes award-nominated short films that screened at major festivals worldwide, earning nominations for the Palme d’Or at Cannes, an AACTA Award, and a Screen Producers Australia Award.

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