Preston Fassel

Creative Director and Head of Development, Little Spark Films
Formats Interested In
Features
Intellectual Property (IP) for Film/TV Development
Particularly Interested In

Low-budget (sub-$1 million) or micro-budget (sub-$100k) thriller/horror/genre features with a focus on new, unique, and/or socially relevant material. What haven't I seen before, and why do I need to see it now? What have you got for me that I won't be able to call by page five?

Women Writers
Writers of Color
LGBTQIA+ Writers
Writers Over 40
Writers with Disabilities
Neurodivergent Writers
Writers Outside LA
Feature Genres
Comedy
Sci-Fi
Action
Fantasy
Thriller
Horror
Budget Range
Up to $1MM
Sub-Genres
Coming-of-Age
Crime/True Crime
Dark Comedy
Dystopian
Family-Friendly
Ghosts
Irreverent
Latinx
LGBTQIA+
Mockumentary
Mystery
Psychological
Revenge
Romance
Satire
Socially Relevant
Spoof
Supernatural
Suspense
True Story
Western
Specifically Not Interested In

High-dollar, big-budget, high-concept projects that would cost several million to hundreds of millions of dollars. I'm also not interested in material that bashes the viewer over the head or is too on-the-nose in trying to convey its point; in sci-fi terms, I want the Next Generation approach to allegorical storytelling, not TOS. I'm also not currently after sci-fi or fantasy epics, television programs, podcasts, gore-based horror, or rape/revenge stories.

Exec Based In: United States
More about Preston Fassel

Preston Fassel is a producer, author, and journalist whose work has been featured in Fangoria, Variety, Rue Morgue, the Houston Press, and Oklahoma Magazine. From 2017 to 2020, he was a creative executive for Fangoria magazine's production label, Fangoria Presents, where he greenlit Grady Hendrix's Satanic Panic. His debut novel, Our Lady of the Inferno- also published by Fangoria- was named one of the ten best horror novels of 2018 by Bloody Disgusting and won the 2019 Independent Publishers' Award for Horror. From 2020 to 2025 he served as an independent script consultant and advisor, helping secure a Netflix option and shopping agreements for several writers with whom he worked. In 2022, he served as an associate producer on Australian filmmaker Alice Maio Mackay's BAD GIRL BOOGIE. In 2024, he produced the found footage thriller .ASK alongside then-Dread Central editor-in-chief Mary Beth McAndrews. In 2025, he was appointed the Creative Director and Head of Development for Little Spark Films, a genre studio based in Dallas, Texas.

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