Kyle Fong

Independent Producer, Formerly at Apple TV+
Formats Interested In
TV
Features
Particularly Interested In

Premium female-driven soaps, family dramas, thrillers, epic romances, crime dramas, grounded sci-fi, high concept comedies.

Women Writers
Writers of Color
LGBTQIA+ Writers
Writers Outside LA
Authors (Fiction)
Authors (Non-Fiction)
Feature Genres
Drama
Comedy
RomCom
Sci-Fi
Action
Adventure
Fantasy
Thriller
Horror
Budget Range
Up to $10MM
Up to $20MM
Up to $30MM
Up to $50MM
$50MM +
TV Formats
Half-Hour Pilots (single-cam)
One-Hour Pilots
Miniseries
Limited Series
TV Homes
Network
Cable
Premium Cable
Streaming
TV Genres
Drama
Comedy
RomCom
Sci-Fi
Action
Adventure
Fantasy
Thriller
Horror
Sub-Genres
Anthology
Biopic
Book Adaptation
Buddy
Coming-of-Age
Crime/True Crime
Dark Comedy
Dystopian
Episodic TV
Family-Friendly
Female-Driven
Futuristic
High-Concept
Historical
Holiday
Inspirational
Latinx
LGBTQIA+
Musical
Mystery
Period Piece
Political
Post-Apocalyptic
Psychological
Revenge
Road Trip
Romance
Satire
Serialized TV
Socially Relevant
Space
Sports
Superhero
Supernatural
Suspense
True Story
War
Workplace
Young Adult (YA)
Specifically Not Interested In

N/A

More about Kyle Fong

Kyle Fong is a Bay Area native working as a producer in film and television. He most recently was a producer for Apple TV+ and worked on the critically acclaimed drama series PACHINKO which is currently in production on season two. He is also working on Soo Hugh's follow-up THE WHITE DARKNESS, a limited series based on the New Yorker article by David Grann starring Tom Hiddleston among other projects. Before that, he was part of the launch team of Disney+, working on projects across all of the Disney brands including Marvel, Star Wars, Pixar and Disney. He also worked at the Disney Live Action movie studio on films including THE LION KING, JUNGLE BOOK, JUNGLE CRUISE, PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES, THE NUTCRACKER AND THE FOUR REALMS and the forthcoming SNOW WHITE live action remake. Kyle got his start at CAA working in the motion picture literary department.

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