Christopher Taleon

Assistant, Anonymous Content
Formats Interested In
Features
TV
Particularly Interested In

Feature-Length Films and Hour-Long Pilots. Strong preference for Heartfelt Character-Driven Dramas, Cross-Genre Films with Provocative or Darker Subject Matter, Coming-of-Age Stories, BIPOC stories, Complex Family-Dramas and Character Studies.

Feature Genres
Drama
Comedy
RomCom
Sci-Fi
Fantasy
Thriller
Budget Range
All Budget Ranges
Up to $20MM
TV Formats
One-Hour Pilots
Limited Series
TV Homes
Premium Cable
Streaming
TV Genres
Drama
Comedy
RomCom
Sci-Fi
Adventure
Fantasy
Thriller
Sub-Genres
Animation (family-friendly)
Biopic
Book Adaptation
Buddy
Coming-of-Age
Crime/True Crime
Dark Comedy
Documentary Adaptation
Dystopian
Female-Driven
Futuristic
High-Concept
Historical
Inspirational
Latinx
LGBTQIA+
Mystery
Post-Apocalyptic
Psychological
Revenge
Road Trip
Romance
Socially Relevant
Space
Spiritual
Sports
Suspense
True Story
Western
Young Adult (YA)
Specifically Not Interested In
Though I’m open to reading for all genres and forms, I’m not too keen on reading Summer-Blockbuster Action Films or Horror Films relying heavily on premise and plot rather than characters and themes to compel audiences.
More about Christopher Taleon

Christopher Taleon is a Filipino-American writer-filmmaker based in Los Angeles. After growing up in the cities of Manila, Hong Kong, and Austin, TX, he studied Film & Television with a concentration in Screenwriting at DePaul University and was taught under the mentorship of Scott Myers, chief editor of Go Into The Story: The Official Screenwriting Blog of The Black List. Outside of college, he also took comedy writing and improv courses at The Second City in Chicago.

He then spent a couple years writing and making his own short films in his former hometown of Austin, TX, and working in various on-set positions for a local production company called 360 Studios before deciding to move to Los Angeles.

Since November of 2021, Christopher has been happily working as a Floating Assistant for Anonymous Content and providing book and script coverage for managers and producers responsible for creating feature films that align with his creative taste such as ETERNAL SUNSHINE OF THE SPOTLESS MIND (2004), BABEL (2006), WINTER’S BONE (2010), THE END OF THE TOUR (2015), and DON’T WORRY, HE WON’T GET FAR ON FOOT (2018).

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