- Half-Hour female-driven dark comedies (e.g. FLEABAG, THIS WAY UP).
- One-Hour and Feature family-driven drama-comedies (e.g. YOUR SISTER'S SISTER, BLUE JAY, LADY BIRD, SHAMELESS)
- Feature female-driven comedies (e.g. IBIZA, LEGALLY BLONDE, WHEN HARRY MET SALLY)
This list isn't exhaustive and I'm interested in projects that diverge from this list, as well. The writers' passion leads the way.
Annika currently works as a Show Supervisor at Pocket FM where she writes for the fantasy genre team.
She has won and placed in various screenwriting festivals and competitions. In 2020, she was a semi-finalist in Final Draft’s Big Break screenwriting competition. She was a finalist in the Big Apple Film Festival and a winner in the WILDSound Film Festival. Annika is currently working on producing her first short film and is producing a narrative podcast set to head into production later this year.
Previously, Annika worked as an assistant to the principal executive at a Management/Production company and in post-production at OneDotZero Post, the in-house lab for FilmNation Entertainment.
The projects she’s most proud of working on so far are: THE ACTOR, directed by Oscar-nominee Duke Johnson; PROMISING YOUNG WOMAN, Oscar-winner for Best Original Screenplay; and THE COURIER, starring Benedict Cumberbatch.
