Annika Freese

Assistant to Manager/Producer, MAKE GOOD Content
Formats Interested In
TV
Features
Shorts
Podcasts
Particularly Interested In

- Half-Hour female-driven dark comedies (e.g. FLEABAG, THIS WAY UP).

- One-Hour and Feature family-driven drama-comedies (e.g. YOUR SISTER'S SISTER, BLUE JAY, LADY BIRD, SHAMELESS)

- Feature female-driven comedies (e.g. IBIZA, LEGALLY BLONDE, WHEN HARRY MET SALLY)

But I am absolutely interested in projects that diverge from this list. The writers' passion leads the way!

Feature Genres
Drama
Comedy
RomCom
Sci-Fi
Adventure
Thriller
Budget Range
All Budget Ranges
TV Formats
Half-Hour Pilots (single-cam)
One-Hour Pilots
Miniseries
Limited Series
TV Homes
Network
Streaming
TV Genres
Drama
Comedy
RomCom
Sci-Fi
Adventure
Thriller
Sub-Genres
Anthology
Biopic
Book Adaptation
Coming-of-Age
Crime/True Crime
Dark Comedy
Female-Driven
High-Concept
Historical
LGBTQIA+
Mockumentary
Mystery
Period Piece
Political
Post-Apocalyptic
Psychological
Road Trip
Romance
Satire
Socially Relevant
Suspense
True Story
Western
Workplace
Young Adult (YA)
More about Annika Freese

Annika currently works as the assistant to the President and Manager/Producer at MAKE GOOD Content. Prior to this position, she worked in post-production at OneDotZero Post, the in-house lab for FilmNation Entertainment. Annika has also interned with FilmNation Entertainment and worked as an audio engineer at WFUV Radio.

The projects she’s most proud of being part of so far are: THE ACTOR, directed by Oscar-nominee Duke Johnson; PROMISING YOUNG WOMAN, Oscar-winner for Best Original Screenplay; and THE COURIER, starring Benedict Cumberbatch.

A writer in her own right, Annika has won and placed in various screenwriting festivals and competitions. In 2020, she was a semi-finalist in Final Draft’s Big Break screenwriting competition. She was a finalist in the Big Apple Film Festival and a winner in the WILDSound Film Festival. Annika is currently working on her latest feature and is serving as a writer & producer on a narrative podcast set to head into production later this year.

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