Mark Saffian worked in production for years as a Production Coordinator and Assistant Director before becoming an executive. Beginning in the mailroom at APA, then being promoted to an Assistant in the Packaging Department eventually becoming the Literary Department Development Coordinator where he helped to develop and sold pilots and films for the agency including the feature film O, a modern retelling of Othello and the television series 24. After APA, Mark was a Development Executive and Story Editor for Sony Pictures and Sid Ganis/Out of the Blue Entertainment where he was a Story Editor on BIG DADDY and DEUCE BIGELOW: MALE GIGOLO. Mark read spec scripts, screenplays, pilots, books and evaluated projects of all types for acquisition and development for both film and television for the studio.
Mark’s current company is Content House, a literary management company, which represents dozens of New York Times Best Selling Authors, screenwriters, directors and production companies. They also represent a lot of the top names in comic book authors and creators, webcomics, video games and new media. They are currently actively developing THE CROOK FACTORY based on the best-selling novel by Dan Simmons (THE TERROR, HYPERION) telling the true story of Ernest Hemingway running a spy ring out of Cuba during World War 2, as well as, the television series ONE SECOND AFTER with Constantin Films based on the best selling trilogy of books by William Forstchen. Recently, The Content House sold or set-up series on behalf of their clients to eOne, Warner Bros. Studios, Warner Animation, CW, Comedy Central, Showtime, and HBO.
Submit your full script to have a one-hour private story notes call with an executive of your choice. You’ll receive specific suggestions on how to elevate your script's dialogue, structure, pacing, characterization, tone, and marketability.
**Please note screenplays are limited to 120 pages maximum. Please contact email@example.com for pricing on a consultation for a screenplay exceeding 120 pages.
Submit the first 30 pages of your script and receive a 30-minute private story notes call with the executive of your choice. You’ll receive specific feedback on how to elevate your dialogue, structure, catalyst, pacing, characterization and tone in the set-up.