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When evaluating pitches, I focus on these criteria: Personalization and Theme , Big Idea and “Why Now”," Main Character(s) in Crisis/Conflict, Inciting Incident , POV and 2 “needs” (what your character thinks or says he needs in number 1 and number 2 is what he REALLY wants/needs) , Central Conflict , Cast, Pilot+Season+Series, Series Tone, Family
Jessica Schott is currently the Development Coordinator at MacLaren Entertainment, working for Emmy-winning Director and Producer, Michelle MacLaren. Prior to working at MacLaren Entertainment, Jessica was an Executive Assistant to the SVP and VP of Drama Development at Sony Pictures Television. She got her professional start in the entertainment industry working as an agent's assistant at a TV Literary Agency in Beverly Hills. Jessica also completed a certificate at UCLA Extension in Television Writing in 2016 and has a Bachelor's Degree from Columbia University in History.
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While I am happy to read anything, I don't love period pieces