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Shows where I can see longevity. I really respond to unique worldviews and fascinating perspectives from multiple characters that result in compelling dynamics that practically self-generate exciting episodes for seasons to come.
Really highlight not only what makes this a standout project that will be entertaining to an audience--but also why you, specifically, are the best person to tell this story and why it's an urgent story that needs to be told right now in this moment in time.
Audrey Knox is currently a manager at the Cartel, a management and production company with clients who have written on shows including LUCIFER, HAPPY!, BLACK LIGHTNING, and GROWN-ISH, where she worked her way up from Receptionist to Executive Assistant to Coordinator to Manager. She has experience in both scripted and unscripted television, on set, in production, and in writers’ rooms, and she has a BFA in Screenwriting from Chapman University’s Dodge College of Film and Media Arts.
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If you have any questions at all about this program, email firstname.lastname@example.org!
Writers adapting their own books for the screen; High-concept projects with lots of locations; Anything set in heaven or hell; Anything about law enforcement.